Script: Andrew Chambliss and Scott Allie
Pencils: Cliff Richards
Inks: Andy Owens
Colors: Michelle Madsen
Cover: Phil Noto
Alternate Cover: Georges Jeanty with Dexter Vines and Michelle Madsen
Created By: Joss Whedon
Published By: Dark Horse
This issue begins with RoboBuffy, Spike and Andrew arriving at the real Buffy’s house. They find signs of a struggle and Buffy is nowhere to be found. RoboBuffy is having trouble dealing with all of the things she has just learned about herself and that everything she believed to be true, isn’t. As Andrew bumbles along, it becomes clear that he actually did think this through and has put some safeties in place for situations such as these. They get a lead on Buffy’s whereabouts and off they go to rescue her. Meanwhile, Simone is beating and berating Buffy and is having trouble figuring out that Buffy has no idea what is happening. Buffy has no memory of Simone let alone that she is the Slayer. Spike, RoboBuffy and Andrew arrive in the vicinity of where they believe Buffy to be and they separate in an effort to find her. One of them however runs into a surprise along the way that none of them expected. While all of this search and rescue business is going down, Xander, Dawn and Detective Dowling are on their own mission. They are searching for Dowling’s on a rampage, recently zompire turned (ex) partner. Dowling is taking the loss hard and soon appears to be in over his head!
I liked this issue, I really liked the way the interactions between Spike and RoboBuffy have subtlety changed. Andrew’s explanations of why he did what he did seem genuine and it really appears that he thought he was doing the right, good thing. I really enjoyed the dialog in this issue a lot, it felt very real and believable. The art was great and both of the Buffy’s emotions were captured well. All in all it was a solid read and truthfully I was initially unhappy with the direction the story line was going. I decided to suspend snap judgments and gave it a chance and I’m happy I did. It will be very interesting to see how everything progresses from here.
Writer: Jason Aaron
Pencils: Chris Bachalo
Colors: Chris Bachalo
Inks: Tim Townsend, Jamie Mendoza, Al Vey
Letters: Chris Eliopoulos
Published by: Marvel Comics
The Phoenix Force is coming and everyone is gearing up, for Wolverine this means sucking up the past and doing his best to stop the damage he saw before from ever coming up again. As the story kicks off, Wolverine is happily recovering with Beast after their injuries over the past issues, unfortunately it’s all cancelled out as a signal comes in that Beast hoped to never hear from again. When it hits they move into action and prepare themselves and the headmasters of the school for their darkest hours to come.
The issue itself is an improvement on the back story we’ve seen lately, it goes into the timeline of AvX instead of weeks or months before the whole thing boiled down. Captain America is recruiting people to join his force to approach the X-Men to take Hope away and Wolverine and Beast are called into action by Cap. It’s still prequel material but it moves fast enough that by the end of the issue we’re into present day AvX storyline and it doesnt’ feel like a rush job at all, in fact it gives heavy insight into how the Phoenix Force impacts all the of new mutant generation as well.
The Phoenix is a mysterious power but what ties does it have to all of these new mutants, why are they reacting so strongly to the energy even so far away? There’s a lot of questions opening up in these side stories and Wolverine and the X-Men #9 has some of the most interesting bits so far, even going so far as to introduce an old acquaintance to the fold in the form of the Shi’ar who is quite familiar with the X-Men. It’s all on the line now and readers will just have to wait until the next installments roll out to see how this first impact in space goes down for Beast, Thor and others in the Secret Avengers.
Script: Christos Gage
Art: Rebekah Isaacs
Colors: Dan Jackson
Cover: Steve Morris
Alternate Cover: Rebekah Isaacs with Dan Jackson
Executive Producer: Joss Whedon
Published By: Dark Horse
This issue begins with Faith meeting with Dru and the Lorophage demon. After a fallout with her dad she no longer wants to feel the pain so she hopes to undergo some serious trauma sucking at the very sharp, pointy hands of the demon. Drusilla is more than happy to oblige. Angel has figured out where Faith has run off to and arrives to stop Dru before Faith makes what Angel sees as a huge mistake. Very soon after his arrival though, all hell breaks loose! Angel and Dru are at odds (surprise, surprise) and come to blows and while all of this is going on, Angel is pleading with Faith to change her mind. Angel quickly finds himself in a tight spot and needs help, but is Faith too far gone to jump into action?
I love this issue, it has a lot of heart and really solidifies the special bond that Angel and Faith share. The dialog is awesome and really shows what a great team they are and just how far they have come. There is one panel in particular that I thought was really great, it does a wonderful job showing how they really have each other’s backs in every situation. The art in general is great, I love Rebekah Isaac’s style and she does an amazing job capturing emotion. These last two issues really have a richness and depth that have me super excited each month and have me anxiously waiting for the next issue. I have no idea where Angel & Faith are going but I do know that I can’t wait to go there with them!
Dale Keown cranks out the latest variant to Batman as he sets off against an army of Talons eager to destroy Gotham, there is a bit of an odd story to the cover though, DC didn’t exactly inform him what was going on in the story for that issue.
“What’s not to love about drawing the coolest character in comics?” the artist Dale Keown told THE SOURCE. “I wasn’t given any back story so I went with the action shot that would fit into just about any storyline. One of my go-to poses is to draw the character leaping out towards the reader. I hope I get to draw Batman again soon.”
Sometimes a cover doesn’t need to be dead on the topic of the story, sometimes it just needs to look badass, Keown gets it done in this cover with ease.
The crossover “Night of the Owls” that #9 will center around hasn’t kicked off just yet, it’s due to start with Batman #8 which arrives next week. Keep an eye on your local retailer or your mailbox so you can check out the new arc kicking off that will span across the franchise.