Writer: Jim Zub
Artist: Sean Izaakse
Colorist: Frank D’Armata
Cover Artist: David Nakayama
In the past runs that feature the more popular have more interesting stories in my opinion, and Avengers Monsters unleashed appears to be in the same category.
Avengers (2016-) #1 Monsters unleashed is one of those fun teamups that’s not to be taken seriously, now I’m not saying the team it’s self is not filled with star power like the original team was, but it does feature characters’ that aren’t house hold names.
Everything seems to be normal for the Avengers in fact alittle to normal in the begin of the issue, with nothing more than street level bank robbers the team of Wasp (Nadia Pym), Thor (Jane Foster), Captain America (Sam Wilson), Vision, Spider-Man (Peter Parker), and Hercules finds themselves bored, so when Spider-man is given a tip of criminal activity in Boston, they jump on it quickly despite the lack of danger it presents to the world. Most of the comedic comes from Spider-Man usual sarcasm, the issue picks up when the team runs into The Controller, he was the man behind the criminal activity in Boston.
After taking out the Controller the Avengers are hit with a series of attacks form Leviathons, the danger has jump from a 1 to 10 when vision informs them that similar attacks are happening in Los Angeles, London, Venice, Wakanda and more.
Conclusion: This was clear a setup chapter of whats to come in future issues, because of that not much was revealed, I found it a bit simplistic like most setup issues are. But that’s not saying it’s bad, just a straightforward “this is what’s going on right now” issue. The dialog between the Avengers is noteworthy, especially times when Peter Parker is trying to act as the group’s leader and Sam reminding him he’s not. As a Tie in arc Avengers Monsters Unleashed has some potential and because of that I’ll have my eye out on this Jim Zub Run.
Marvel is excited to announce an all-new era for the God of Thunder in brand new series, THOR, written by Jason Aaron (Thor: God of Thunder, Original Sin) complimented with art from Russell Dauterman (Cyclops).
This October, Marvel Comics evolves once again in one of the most shocking and exciting changes ever to shake one of Marvel’s “big three” – Captain American, Iron Man and Thor – Marvel Comics will be introducing an all-new THOR, GOD OF THUNDER. No longer is the classic male hero able to hold the mighty hammer, Mjölnir, a brand new female hero will emerge who will be worthy of the name THOR. Who is she? Where did she come from and what is her connection to Asgard and the Marvel Universe?
“The inscription on Thor’s hammer reads ‘Whosoever holds this hammer, if HE be worthy, shall possess the power of Thor.’ Well it’s time to update that inscription,” says Marvel editor Wil Moss. “The new Thor continues Marvel’s proud tradition of strong female characters like Captain Marvel, Storm, Black Widow and more. And this new Thor isn’t a temporary female substitute – she’s now the one and only Thor, and she is worthy!
Series writer Jason Aaron emphasizes, “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is THOR. This is the THOR of the Marvel Universe. But it’s unlike any Thor we’ve ever seen before.”
THOR is the latest in the ever-growing and long list of female-centric titles that continues to invite new readers into the Marvel Universe. This femaleTHOR is the 8th title to feature a lead female protagonist and aims to speak directly to an audience that long was not the target for Super Hero comic books in America: women and girls.
Marvel is back at it with teasers, this week they unleash a red eye Thor standing tall above his decimated team-mates. Has Thor turned? We only get teasers about Red Skull and his S-Men moving on New York and one of these Avengers turning on the team.
It’s all on the line as the group has to rise to the challenge of defeating the Omega Skull and it hits in January 2013.
Marvel loves a good sale, today is no exception for the team as they put on intro looks into their astonishing lines on sale for a limited period (until 8pm PST / 11pm EST). Check out Spider-Man & Wolverine, Thor and X-Men and find out how their story arcs began.
Free focus is a project put on by Marvel to allow for fans to get free issues from the huge database of digital comics that Marvel has built up. This week we’re going back to the 70’s with Thor, Amazing Spider-Man, Fantastic Four and the Avengers as they battle Magneto. Check out the list below and be sure to catch them before they’re gone.
Writer: Brian Michael Bendis
Pencils: Walter Simonson
Inks: Scott Hanna
Colors: Jason Keith
Letters: VC’s Cory Petit
Published by: Marvel Comics
Time for a flashback and flash forward through the AvX universe, Avengers 26 attempts to elaborate on what has been going on in the series so far and it attempts to make some sense of the slaughter from Secret Avengers that we saw a few weeks ago. For those who followed that story, this might not make a lot of sense but it’s something that happens when you attempt to retell what’s already long inscribed into the story.
Captain America needs some heroes that can put it all on the line in a suicide mission, the Earth is in danger and they need to contain or stop the Phoenix if at all possible. He picks a select group of heroes for that task and sends them into the great beyond hoping for the best even though the worst seems inevitable no matter who goes up there. Everyone has a moment to say goodbye and we see some personal struggles to highlight the moment itself, it’s a hard reality that none of them could come back to the planet after this battle.
The story jumps forward to their conflict and dances through the struggle and drama of the battle, in this we see some slight story alterations a massive spoiler skip and a continuation of the battle into a new area that was lost from Secret Avengers, new hope is found from the team and things look incredibly positive until some of the deeper seeded prequel stories start coming into play. As a galactic superpower, everyone wants control of the Phoenix and even the tightest friendships or alliances can’t stop those desires from coming full circle. Betrayal strikes and the team is torn over the moves that come next. Hopefully this extended arc gets more elaboration though, it still fails to connect to AvX #4 directly and it leaves out a huge twist from Secret Avengers #26.
As a retelling, it’s okay and it’s a bit awkward in how it jumps around the existing story that was written, it’s hard to write over what was already said and established in a story. The new twist doesn’t even connect to the existing AvX arc which makes matters worse as we’re left to guess where all these pieces are coming into play and if we’re going to start moving to future stories ahead of the main arc in the same week. In the art area the treatment of many characters is a bit… poor, I look at Thor and Ms. Marvel and even Captain America and wonder what on Earth happened to their faces as the book takes off. The consistency changes somewhat through the rest of the issue but it’s just a hard hit to see characters morphed out as they are.
Writer: Johnathan Hickman
Pencils: John Romita Jr.
Inks: Scott Hanna
Published by: Marvel Comics
As we close in on the end of Act 1 Hope closes in on her goal of trying to harness the Phoenix Force, she’s been busy in her escape and side travels aiming to harness the power for this second generation of mutants across the planet. When we left off everyone was still slugging it out physically and politically after the initial clash went down on Utopia.
Readers get to join the story with Wolverine trying to make his way back to anything familiar, lost in Antarctica after Captain America booted him from the plane he’s struggling in the frozen land. Of course it’s not all so bad as he stumbles upon some supplies and the last person he figured he would run into during this mess, in a moment he goes from lone wolf to hero in a single moment. Unfortunately for Hope, being his savior and friend doesn’t earn you much credit in a conflict this large or with a man who has this much conviction to see you dead for the good of all.
Unfortunately it’s in this we see some issues as a larger story scope, in Wolverine’s side story he was back at the Jean Grey School during the blip in AvX 3, if that all took place somehow during a fraction of a moment I guess it’s possible but a bit unlikely. On top of that we see one of the deep space team members return but it also conflicts with the story we know so far (it’s apparently tied into this weeks Avengers #26). For those following the global arc it’s a bit of a break in the read to see things being shuffled around as they are, it’s not a bad result but it feels odd to see them jumping ahead so much and leaving everything else to fix and catch up.
As a whole Avengers vs X-Men sets the stage for a huge showdown again with a missed calculation by the Avengers, this whole time they’ve been rushing against the clock but it seems they lost track of that clock entirely. As they showdown on the moon for Hope they see it’s far too late and the mutant side is about to get a massive boost to their firepower if the mutant messiah can really tame the beast. For those wondering though, it’ll be a 3 week break this time until we see the next installment leading to the conclusion of Act 1.
The wait is over for the latest Marvel Super Hero installment, Marvel has released The Avengers to theaters this weekend and it’s taking off like mad. The new movie spearheaded by Joss Whedon sets out to combine the lives of Thor, Iron Man, Captain America, Hulk, Black Widow and Hawkeye into a single classic package from the comic world. The article will try to stay as spoiler free as possible so everyone can read it without feeling like I just killed the ending.
Given past experiences this isn’t something that’s a given to go well, many have felt the burn from bad group movies like Fantastic Four and some of X-Men as well. Fortunately Whedon has a history with Marvel in writing story arcs and developing characters across their roster, as a result he has a bit of an understanding about how they work. Add onto this he’s a creator from the genre and understands developmental trends from the Marvel Universes, as a result we get a mixture of hero profiles that set up a great experience without trying to reinvent the wheel, instead he just borrows from the best of all there is to pick from.
The basics are easy, Loki has returned and he’s in for payback, he has an army with him and a plan to launch a full-scale invasion if he’s lucky. With his brother preoccupied elsewhere and his existence thought to be lost to the void he’s on a limited free ride ticket to get into action while he can. Unfortunately this is where things go horribly wrong, in his last trip to Earth he didn’t take the time to absorb the level of the heroes on the planet, as a result he’s stuck with something he didn’t account for, some big names that don’t take kindly to getting shoved around.
As a Marvel movie this hits a lot of points that get missed in regular releases, while running at around 2 hours and 30 minutes from previews to credits it uses the time to create story, relationships, conflicts and resolve without axing too much off. It’s very common to see critical development skimmed through in favor of being flashy or saving time, Whedon doesn’t dive into this all that much and the experience is richer for it. We see a band of heroes that had no real relations jump into the fray with genuine conflict instead of magical cooperation, given the fights that happen in the comic universe it was a relief to see that no one was really happy-go-lucky in the story.
The result of this is an intense experience and one of the most impressive accomplishments is the development of the best Hulk I’ve seen yet in the movies from Marvel right now. The personality development is critical and the focus goes from the random generations of Banner to something closer to the Hulk seen in arcs like Planet Hulk. If there’s a chance to keep that thunder going it would likely prove to renew faith in the franchise even if it was yet another reboot. Other characters like Captain America get a heavy kick to the modern age, we left off with him trying to cope with the modern age but Whedon helps crank a reluctant Captain into full gear by making him step up to the situation at hand.
Other developments include a reformed Thor, while headed toward greater responsibility he’s less of a hot-head figure in the development, using calculated attacks and complete control of the hammer to dish out heavy damage to anyone in his way. The other step up in development came from Iron Man, while there’s no doubt that Tony Stark likes to let it rip, he’s at a technological point where he’s more interested in knowing more and doing more than ever before. While he still gets to be a bit of an ass it’s nothing that dwarfs the rest of the cast in the movie and often serves to develop the story around other characters even more.
While I had a lot of excitement going into The Avengers, it was a true test to see if it held up to expectations, it’s safe to say that it delivers on multiple levels. As a comic movie it brings intense action and storytelling to new levels, it doesn’t short the audience to meet a deadline and it draws a full story experience from start to finish. Joss even finds time to tease other parts of the universe throughout the film to the final seconds before the MPAA rating screen closes out the movie, yes that’s right sit through EVERYTHING, if you leave early you’ll only hurt your own experience.
Visually The Avengers brings intense environments through heavy use of locations and CG implementation, the story sells because they took the time to go through how they sold the comic and kept to that. With so much time taken into making this a major accomplished piece there aren’t any areas that just blatantly scream out that a corner was cut. It’s easy to know so many things are CG in the film but the immersion remains strong throughout the movie and owns what it is by utilizing the technology to the extreme.
Overall it’s an experience to catch although some may need to prepare themselves for it based on the running time. While it is action driven it’s very much about the drama and adventure throughout the story and that may set some fans back. If you’re a general movie fan hoping for a blind rush of action that lacks depth I’d still say try to see this, if you’re looking for a well executed comic movie, you’d only rip yourself off by skipping The Avengers. Now the question remains if Marvel can hold the rest of their movies up to the same bar. For my experience this was one of the most rewarding installments I’ve come across for Marvel movies, I was interested going in with minimal fears and I came out wanting to see it again.
Missed out on your digital issues of Thor and Loki for a while? Marvel is offering a chance to catch up for the Monday Sale! With the new Digital Comics store it’s possible to read these issues on iOS, Android or your PC so you have total flexibility when you settle down to read all the issues.
With the nine realms at stake it’s up to Loki and Thor to team up to save them all. Matt Fraction, Kieron Gillen, Alan Davis and Carmine di Giandomenico pair up The Mighty Thor and Journey into Mystery for a seven part series with everything in the balance. We have a few art assets to pass along for this upcoming journey below.